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Italian Baroque and Rococo Architecture, by John Varriano
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From the late 1500s to the mid-1700s, Italy gave the world some of the liveliest and most imaginative structures in the history of architecture. The first comprehensive study in English of this critical period, this well-illustrated book offers chapters on key architects--Gianlorenzo Bernini,
Francesco Borromini, Pietro da Cortona, Guarino Guarini--as well as detailed treatments of the work of many less well-known architects who were active from Sicily to Venice.
- Sales Rank: #1223215 in Books
- Published on: 1986-03-20
- Original language: English
- Number of items: 1
- Dimensions: 7.00" h x .64" w x 10.00" l, 1.30 pounds
- Binding: Paperback
- 352 pages
Review
"A complete and well illustrated survey of the architecture of Italy during this period. [Italian Baroque and Rococo Architecture] is readable and clearly written. A good introductory volume on the subject."--James O. Rose, University of Wyoming
"Excellent plates and diagrams."--Cristelle Baskins, University of Rochester
"Informative yet makes sensitive visual and stylistic comments. Good interrelation of text with images."--Robert Baners, University of Southern Alabama
"An exceptionally clear and comprehensive account of its subject..."--Edward Chaney, Times Literary Supplement
"Fascinating"--Washington Post
"A good, competent survey that will be found useful as an introduction to the history of Italian Baroque architecture....A sensible and handsome addition to the literature." --Journal of the Society of Architectural Historians
About the Author
John Varriano is at Mount Holyoke College.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Filomena Daleandro
Excellent book!!!
0 of 0 people found the following review helpful.
An Excellent Supplement To The Typical Guidebook To Italy
By karlojazz
Published in 1986 by Oxford University Press, Professor Varriano's Italian Baroque and Rococo Architecture is a comprehensive introduction to Italian architecture generally described as either baroque or rococo by art historians. It is written in a clear prose that should appeal to the general reader wishing to grasp the fundamentals regarding these two styles of architecture in Italy. The author does make use of some architectural terminology but this use is largely confined to basic terms such as narthex, apse, and chancel, used in describing the floor plans of landmark churches and other terms such as pilaster, pediment, and entablature, used to describe some of the key components of a building's facade. A three-page glossary at the end of the book provides definitions for approximately fifty key architectural terms.
Varriano provides separate chapters on four of the most well-known architects: Francesco Borromini, Gianlorenzo Bernini, Pietro Cortona, and Guarino Guarini. These chapters include fairly detailed descriptions of each architect's major works plus floor plans and black and white photographs tie into the text to aid the reader. Except for Guarini, whose architectural legacy is based solidly in Turin, the primary focus of the other three chapters is on buildings located in Rome. In these chapters, plus a separate chapter on "precursors" to the baroque style such as Domenico Fontana and Carlo Maderno, the author frequently offers his own opinion on aesthetic merit. These aesthetic judgements are generally offered with the reasoning behind them and for this reviewer add to the value of the text.
In addition to these better-known figures in Italian architecture, Varriano includes a large number of lessor-known architects, making this a comprehensive survey of many of the major landmarks in a large number of Italian cities. For example, in his two chapters on Northern Italy, the author presents such architects as the following: Francesco Maria Ricchini (Milan), Giovani Ambrogio Mazenta (Bologna), Bartolomeo Bianchi (Genoa), Matteo Nigetti and Gherardo Silvani (Florence), and Baldassare Longhena (Venice).
Varriano provides the same level of detail and comprehensiveness in his chapter on Southern Italy where he describes significant structures, both religious and secular, in the following locations: Naples, Syracuse, Catania, Caserta, and Lecce. For this reviewer, the several pages and numerous photos devoted to the rather unique architecture of Lecce in Apulia was one of the highlights of the entire book.
In closing, let me say that I thoroughly enjoyed reading this book and feel that I've learned a great deal about these two styles of Italian architecture. This book makes an excellent supplement to a typical guidebook to Italy that usually does not provide much in the way of detailed description. It would also serve as a very good introduction to baroque and rococo Italian architecture for students of art history, architecture, or Italian culture.
My reason for awarding this book only four stars instead of an expected five stars is because it lacks a bibliography. Readers wishing to seek out additional resources in this area can, however, make use of the extensive footnotes positioned at the end of the book.
Highly Recommended
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